'Capturing the spirit of the horse in timeless sculptural form'

For over two decades I have been sculpting horses, seeking not their likeness but their essence, a presence expressed through form, gesture, and line.

Since graduating in 2004, I have been making and exhibiting my work in galleries and exhibitions worldwide. My sculptures are held in high-profile collections and interior design houses, admired for their distinctive form and enduring symbolism.

For me, the horse is not simply a subject but a vessel through which to explore essence: movement, presence, and the quiet dialogue between form and being. I am less concerned with likeness than with evocation: a form that holds tension, a gesture that conveys strength, vulnerability, or poise. In this way, my work seeks to capture something that lies beyond representation.

I work with a variety of materials and processes, from mixed-media sculpture and printmaking to foundry bronzes and collage. Experimentation is central to my practice, and I often return to raw textures and layered surfaces that allow the emotional weight of a piece to emerge.

Born in Oxford and raised in Sheffield, UK, I grew up riding and exploring the moors and woodlands of Yorkshire. The horse quickly became a trusted friend and source of  inspiration. Today I divide my time between the UK and Saudi Arabia, shipping work to galleries and collectors worldwide. The contrasts of landscape, culture, and light continue to feed my practice, offering new perspectives on a timeless subject.

I am currently studying for an MA in Fine Art at Central Saint Martins (UAL), where my research explores mid-century modernist sculpture, abstraction, and the materiality of consciousness. This deeper engagement has sharpened my understanding of what it means to sculpt: not simply to shape matter, but to reveal presence. After two decades, I remain committed to the pursuit of essence in sculptural form.