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​​​   About me and my work

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Me

Since graduating in 2004 I have been making and exhibiting my work in galleries and exhibitions worldwide. I have pieces in many high-profile collections and interior design houses. My horses have proven themselves ever popular for their beautiful form and enduring symbolism. 

They bring with them so much more than I can put into words, something otherworldly that arrived during some of the most challenging moments of my life, carrying me out safely into a place of solace and companionship. They took me on a journey into the natural world where I discovered a deep love and connection with Mother Earth and the cycles of the seasons. The horse for me is a universal healer and being of light, its mythic role as bearer of souls to and from the heavens really captures my imagination and allows me to access something deeper. I love to give them names and tell stories about their hidden meanings through body language and interactions. They teach us about connection, love and overcoming adversity. Transporting us perhaps for a moment, beyond ourselves.
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I work with a variety of materials and processes to create my horses. I use mixed media sculpture and printmaking techniques as well as foundry bronzes and collage. I love to experiment with new things and the making process is very important in my practice.

Born in Oxford I grew up in Sheffield, UK 'The Steel City' and spent many years riding and exploring the woods and moorlands of Yorkshire with my horses. I now live mostly in Saudi Arabia and ship my work to galleries and collectors worldwide. The stark differences in climate, culture and landscape fills me with a sense of adventure and discovery I have always yearned for since my childhood. I love to immerse myself in new cultures and ways of life and the Arabian horse is a whole new adventure I intend to explore in the coming months. 

I am currently studying my Masters Degree in Fine Art online with Central Saint Martins College in London. This is encouraging me to take a deeper dive than ever before into my practice and discover new ideas and techniques. I've never been so excited about my work and what's waiting to be discovered.
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John Terry horses
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