About me and my work.


With over two decades of professional practice, my work explores the quiet language of presence, where form is not imposed, but felt into being.
Each sculpture begins as a search for something underlying: a sense of stillness, weight, or watchfulness. I am not interested in describing the horse, but in distilling its essence.
My recent work has moved toward a more pared-back, structurally grounded language. The figures are quieter and more resolved, less expressive in gesture, and more concerned with inner presence. They exist somewhere between the ancient and the contemporary: familiar, but not fixed in time.
My sculptures have been collected internationally and placed within private residences and significant interior design projects, where they are positioned not simply as objects, but as presences within space.
I have exhibited in the UK, the US and the Middle East. I am currently developing a new body of work with a view toward expanded exhibition and gallery representation.
Alongside my studio practice, I am currently completing an MA in Fine Art at Central Saint Martins (UAL) where my research explores the philosophical and perceptual dimensions of sculpture, particularly the relationship between form, feeling, and embodied experience. Fragments of this research can be viewed here: MA Blog
Exhibitions & Collections
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Exhibited at the London Art Fair, AAF and ArtLondon.
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Exhibited with Lena Boyle Fine Art, London, The Fairfax Gallery, Tunbridge Wells, Nadia Waterfield Fine Art, Andover.
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Exhibited alongside Elisabeth Frink with Lena Boyle Fine Art
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Sculptures held in private collections internationally
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Work placed in significant interior design projects in the UK and abroad
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Collaborations with leading interior designers including Sophie Paterson, Louise Bradley and Clements Design.
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Commissioned to create a life-size sculptural work in situ at Renishaw Hall, Derbyshire.
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Numerous private commissions for collectors internationally
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Work showcased in Interior Design books and publications
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Work indexed within the global art market, including by Phillips



